The Story of Citizen Kane: William Randolph Hearst and the Kane Controversy

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The story of Citizen Kane as already written in this blog—the story of Orson Welles, the Mercury Theatre, Gregg Toland, RKO Pictures, and Herman Mankiewicz—is all well and good; but the story has far more significance when examined from a different perspective.  Imagine, for a moment, that all those players about whom I wrote in my previous post—Orson Welles, the Mercury Theatre, Gregg Toland, RKO Pictures, and Herman Mankiewicz—are the “good guys”, the protagonists, in this story about the movie’s production.  Well, a good story always has a bad guy. Continue reading

The Story of Citizen Kane: The Mercury Theatre and Other Players

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I hope that in reading the introduction to this series of essays on Citizen Kane, you—the reader—went and rented the movie and watched it, or at least wanted to.  I want to write so much about the movie; but to not watch the movie until I am done writing would, I think, be detrimental.  Part of that is because the movie is known for its important ending, which I would hate to spoil.  However, to not write about the ending would be to not write about the whole movie.  It puts me in an awkward situation.  So, go watch the movie.  Then, I won’t feel bad in throwing around some spoilers. Continue reading