In my review of Modern Times, I said that it was part of Charlie Chaplin’s “Big 3” along with The Gold Rush and City Lights. Since I have already reviewed The Gold Rush as well—and, in that review, admitted that I had great desire to tarry in Chaplin’s world for a little while—I would like to now provide a review of Chaplin’s best picture, City Lights. Continue reading →
While historical significance certainly plays its role in helping me determine my favorite films (see my “Greatest Films of All Time” list), other factors played equally poignant parts: my own personal bias, the impact of the film upon viewers, film quality and popularity, to name a few. But, insofar as this blog is designed to help the casual movie-goer become a competent one, I must help by making more specialized lists. This particular list looks at historical and cinematographic significance as a complex dual-characteristic: namely, “importance.” Often, lists of this type go by the name of “influential.” But “influential” means important only in the context of history and fad. “Important,” on the other hand, involves the goal of this blog. These films are “important” in that they help create a backdrop wherein one can contextually understand the development of film and the proper languages of film—as André Bazin would put it—which open your eyes to the world of cinema. I wish I had paid better attention to lists like this one in my early days of movie-going. I believe that it would have helped a lot.
The following movies were “influential” to other movies that followed. They are “important” to you and to me, the viewers, in our attempt to become more competent movie-watchers. Continue reading →