Nosferatu (1922)

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The greatest vampire film of all time is no romance.  It does not star beautiful people with pale skin and delicate seduction.  There is no high-collared regal wear.  There are rats, not bats; and there’s a rodent-like creature in monkish robes who casts monster-like shadows on brown walls.  The greatest vampire film of all time is a filthy Expressionist nightmare, filled with sickly frames, and jagged teeth matching a jagged mise-en-scène. Continue reading

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Detour (1945)

This is the sort of movie that you would never think belongs on a blog like this.

The negatives are flipped, the fog machines corny.  The actors are transparent, their characters cliched.  The lighting seems artificial, the plot seems incomplete.  The whole thing is cheap in its production , even cheap in its quasi-Freudian metaphors.  It’s the sort of movie that a high-schooler may come up with in about a week. Continue reading

The Maltese Falcon (1941)

The Maltese Falcon (1941): John Huston's Noir masterpiece featuring a ...

“The cheaper the crook, the gaudier the patter.”—Sam Spade, The Maltese Falcon

It is a recipe for disaster in the world of film noir to be incapable of formulating a good, old-fashioned threat.  Continue reading