Laura (1944)

Laura (1944) - Laura (1944) Photo (15751310) - Fanpop

With the close of both the Holiday Season and Awards Season, I move again to my series of reviews on American film noir in the 1940s.

Where Double Indemnity and The Maltese Falcon have survived into the 21st century with reputations intact as noir classics, Otto Preminger’s masterpiece Laura has been relatively forgotten outside of more expert circles.  Continue reading

The Maltese Falcon (1941)

The Maltese Falcon (1941): John Huston's Noir masterpiece featuring a ...

“The cheaper the crook, the gaudier the patter.”—Sam Spade, The Maltese Falcon

It is a recipe for disaster in the world of film noir to be incapable of formulating a good, old-fashioned threat.  Continue reading

Scrooge (1970)

One of my family’s most treasured Christmas traditions is to watch Ronald Neame’s unique musical interpretation of Charles Dickens’ A Christmas Carol, named after the story’s main character, Ebenezer Scrooge.  Scrooge is, without question in my mind, the finest adaptation of this famous story ever committed to film.  Some of the more faithful adaptations (like the one starring Patrick Stewart in 1999) reek of Hallmark made-for-TV movies.   Others sacrifice the important emotion for the sake of Christmas commercialism, in what may be the most hypocritical move in the history of the industry.  But Scrooge…Scrooge is the perfect adaptation, integrating enough of its own originality into the purity of Dicken’s novella. Continue reading

Stagecoach (1939)

One of the most oft-mentioned films on my blog has been Stagecoach.  As long as I’m talking Westerns of the 1930s and ’40s, and as long as I’m talking about John Ford, I figure that it is time for Stagecoach to get a review of its own. Continue reading