Gone With the Wind (1939)

Let’s face it.  We live in an era where the mainstream is something to be feared, and to like the blockbuster is to admit to being the very same “non-person” we all fear becoming.  It’s important to look smart and cultured, and so we can’t admit to anything that makes us look too sheltered or nationalistic.  We embrace uniqueness or obscurity because it makes us feel like modern day Columbuses…no, strike that.  Columbus is too politically incorrect.  Continue reading

The Treasure of the Sierra Madre (1948)

1948 was an important year for the Western.  Movies like 3 Godfathers and Fort Apache were contributing to the overwhelming continuation to the genre by the team of John Ford and John Wayne.  Movies like Silver River with Erroll Flynn and Yellow Sky with Gregory Peck were headlining other great team-ups with superstar actors and directors (Raoul Walsh directed the former; William Wellman, the latter).  The second World War was drifting into the past, but its ripples were still freshly informing the new artistic psyche, and these team-ups were beginning to integrate a far more human arrangement into the Western to supplant what was originally a mythological archetype.  Method acting and human dilemma were rising to an important position in the way that Westerns were written.  While these aforementioned films, and others, were making their dramatic (or, at times, comedic) impact on what was, before the war, a simple formula, two films really made waves in 1948.  These two Westerns were The Treasure of the Sierra Madre and Red River.   Continue reading

Stagecoach (1939)

One of the most oft-mentioned films on my blog has been Stagecoach.  As long as I’m talking Westerns of the 1930s and ’40s, and as long as I’m talking about John Ford, I figure that it is time for Stagecoach to get a review of its own. Continue reading