Detour (1945)

This is the sort of movie that you would never think belongs on a blog like this.

The negatives are flipped, the fog machines corny.  The actors are transparent, their characters cliched.  The lighting seems artificial, the plot seems incomplete.  The whole thing is cheap in its production , even cheap in its quasi-Freudian metaphors.  It’s the sort of movie that a high-schooler may come up with in about a week. Continue reading

Cinema’s Best Trilogies

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In light of my recent review of Hiroshi Inagaki’s 3-part masterpiece, The Samurai Trilogy, I think a quick little tangent into the art of the film trilogy would be rewarding.   Continue reading