Wuthering Heights (1939)

One of the great things about studying 1939 is seeing how such a vast enterprise as Hollywood can, at times, seem so small.  I feel like I did a pretty good job showing how interconnected the industry was that year in my initial essay on 1939, and how that interconnectedness made Hollywood more a machine than a business.  It pumped out films at a tremendous rate—good ones, too.  Well, the smallness of Hollywood was at play in the creation of some of 1939’s finest films. Continue reading

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Cinema’s Best Trilogies

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In light of my recent review of Hiroshi Inagaki’s 3-part masterpiece, The Samurai Trilogy, I think a quick little tangent into the art of the film trilogy would be rewarding.   Continue reading

The Philadelphia Story (1940)

“You’ll never be a first class human being or a first class woman until you’ve learned to have some regard for human frailty.”

So says C.K. Dexter Haven, ex-husband of the pretentious and beautiful Tracy Lord.  She has thrown him out and banned him from her mansion estate, and has recently engaged herself to George Kittredge.  In Kittredge, she sees everything that Haven was not.  Unlike Haven, who was born into the social elite, Kittredge was a self-made member of the upper-classes, not subject to the vices of the pampered life (a life that she, herself, has lived).  A woman of her privilege demands the absolute best in everything she consumes: her wine, her clothes, her horses, and her men.  Haven couldn’t live up to the task; he was an alcoholic with no respect for the things she wanted.  Perhaps Kittredge will. Continue reading