Please read this list in conjunction with my chapter on Auteur Theory.  The list attempts to reconcile a given director’s overall oeuvre, cinematic contributions (to theory and culture), and my personal taste.  In some cases, I considered popularity; there is something to say about a directors ability to garner an audience.  You will see that a good number of usual favorites do not make the cut in this list.  That is because a lot of these, unfortunately, don’t live up to my standard. Continue reading →