Modern Times (1936)

modern times

My blog, at least on the surface, is directed by reason and ruled by rationale.  While I sometimes stray from the formula (see my occasional dabblings in annual Academy Awards season, etc.), I attempt to methodically determine what is the next best thing to post in conjunction with what has already been posted and what I would like to post in the near- and distant-future.  In this regard, the option for my next film review is obvious: I’ve done three Hitchcock films and three Coppola films (Vertigo, Notorious, Psycho, The Godfather, Apocalypse Now, and The Conversation) and only two silent films (The General and Battleship Potemkin).  It is time, therefore, for a silent film. Continue reading

The Conversation (1974)

index

Coppola’s most celebrated films are the first two Godfather movies.  The first came out in 1972, and the second came out at the end of 1974.  In between them, there was The Conversation.  The Conversation has lost much of his reputation and prestige over the last two generations or so, and that is a great misfortune for such a quality film, which played quality role in Coppola’s complete compendium.  The reason for this importance is simple: it is Coppola’s most personal, introverted film, in other words, it his most revealing auteur picture.  Understanding the context of auteurism improves the overall viewing experience of The Conversation. Continue reading

The Greatest Directors of All Time

Please read this list in conjunction with my chapter on Auteur Theory.  The list attempts to reconcile a given director’s overall oeuvre, cinematic contributions (to theory and culture), and my personal taste.  In some cases, I considered popularity; there is something to say about a directors ability to garner an audience.  You will see that a good number of usual favorites do not make the cut in this list.  That is because a lot of these, unfortunately, don’t live up to my standard. Continue reading