
The most intimidating part of this blog is now upon me. Part of me has wanted to do this for a long time. Another part has been apprehensive. Continue reading

The most intimidating part of this blog is now upon me. Part of me has wanted to do this for a long time. Another part has been apprehensive. Continue reading
Okay, so this is a little indulgent. But I can’t help but think that all this Academy Award talk in which I have been engaging can be diverting in this quest from casual movie watching to competency in film. What I would like to do is bring back the discussion from contemporary films and set our sights backwards again, towards the vast world of cinema that encompasses over a hundred years of art and culture. So, I’ve decided to go back and set up my own hypothetical awards ceremony, complete with honorary awards and imaginary glamor. Imagine a red carpet with Miley Cyrus in her fishnet leggings and Audrey Hepburn in her black Givenchy dress; Jared Leto’s long hair followed by Humphrey Bogart in unbelted wool jackets. The notion is enchanting, sure. Those basketball or football video games that I like to play often have a “fantasy draft” setting or a pick-up game kind of setting were you can do the most absurd things: you can have LeBron James play against Oscar Robertson, or have the Detroit duo of Isaiah Thomas and Bill Laimbeer take on Michael Jordan and Dennis Rodman. Why not do something like that for movies? I consider this “fantasy academy” a well-earned journey into the indulgent imagination of my own self. It is time to let all those worlds, the world of John Huston, the world of Federico Fellini, the world of Robert Bresson, the world of Martin Scorsese, and the world of Christopher Nolan, all come together in the ultimate exposition of glamor, art, competition, and class. And considering the fact that my lists of the greatest directors and movies and acting performances are buried so deep in this blog, I feel like a resurrection of these lists in some new form is not an altogether bad idea, especially considering the fact that I just posted a page which, in essence, restated all the principles and theories that this blog has laid out thus far. As long as I’m in the “reviewing” mode, I might as well review those earlier lists by having a little fun; having my own awards ceremony in my head.
The nominees are listed in alphabetical order. There are 10 nominees for each category. The winners are in bold. I have hyperlinked all but one of the nominees to clips online (most of which can be found on YouTube) for your viewing pleasure. Continue reading
(This list, like all lists in this blog is regularly updated when I feel it is necessary).
I like to release a fun little list in conjunction with my new posts and pages. I think it’s time I put up a new one, especially considering the fact that I didn’t have such a list for that mammoth publication on montage theory I did. Now, considering the emphasis I placed on wit and dialogue in my “My Take On…Comedy” page, I felt it would be appropriate to list the greatest movie quotes of all time. Most of these are comedic in that they are funny, satirical, witty, or sarcastic—as a matter of fact, they’re all at least witty (though some are far from funny). That is good enough reason to publish this list in conjunction with an analysis on comedy. Continue reading
While historical significance certainly plays its role in helping me determine my favorite films (see my “Greatest Films of All Time” list), other factors played equally poignant parts: my own personal bias, the impact of the film upon viewers, film quality and popularity, to name a few. But, insofar as this blog is designed to help the casual movie-goer become a competent one, I must help by making more specialized lists. This particular list looks at historical and cinematographic significance as a complex dual-characteristic: namely, “importance.” Often, lists of this type go by the name of “influential.” But “influential” means important only in the context of history and fad. “Important,” on the other hand, involves the goal of this blog. These films are “important” in that they help create a backdrop wherein one can contextually understand the development of film and the proper languages of film—as André Bazin would put it—which open your eyes to the world of cinema. I wish I had paid better attention to lists like this one in my early days of movie-going. I believe that it would have helped a lot.
The following movies were “influential” to other movies that followed. They are “important” to you and to me, the viewers, in our attempt to become more competent movie-watchers. Continue reading
I had some time; I made this video. These are 100 films (mostly American) that I think everyone needs to see on their journey towards film competency. THIS IS NOT A LIST OF THE GREATEST FILMS EVER. It is a list of some of the greatest films ever, films that I think everyone should see before they start making claims that they are true movie-buffs. It is set to the sublime score of John Williams’ Schindler’s List. Please excuse two typos in the titles of the film. Continue reading
I have been on an acting binge lately and have determined to publicize a list of the greatest acting performances of all time; this is conjunction with my current two-part series on acting that can be found in my pages, as well as my earlier list of my favorite actors. I’m sure a list of my favorite actresses will come next. With this list, I see little to no necessity to divide based on gender or—worse yet—to divide into four, first by gender then again by the ever-present lead-role/supporting-role dynamic. So, I have made a list wherein all acting performances that I personally have witnessed (irregardless of gender or prevalence in the film) are given equal footing and wherein only the best are counted. The selection of number one, I know, is bold. But I dare anyone to see this person in this movie and tell me that I’m wrong. Of course, I think I’m right. It’s my opinion. Continue reading